The
Balagan Experimental Film
& Video Series was conceived in the summer
of 2000 when the Coolidge Corner Theatre approached
us with an opportunity to host a regular program highlighting
local experimental film/video makers in their
brand new Screening room.
The
New room is a wonderful compliment to Boston's most
treasured art Deco moviehouse and a wonderful opportunity
to present experimental films & videos in an
intimate theatrical setting. As filmmakers ourselves,
struggling to find venues to exhibit our works, we were
excited for the challenge of establishing a new space
for experimental works by local and international
film/video artists who are rarely represented in Boston
cinemas.
Our
mission in creating the series is to promote films and
filmmakers whose works do not fit into the traditional
genres of the film "industry". These works traditionally,
throughout the history of cinema, have been labeled
as avant-garde, art-house, or experimental.
Although
an experimental film/video often can contain
or combine elements of traditional narrative or documentary
filmmaking, experimental filmmakers, as difficult
as they can be to define, tend not to make their films/videos
for the "industry". Their works are made for very personal
and intimate reasons and their visions and creations
are uncompromised by the constraints of "mainstream
media".
That
said, experimental filmmakers create their works
to be screened, exhibited and experienced by an audience.
Balagan aims
to create a "space" where an audience can experience
the visions of the artists. Balagan
aspires to nurture and develop the rich community of
artists working in film & video in New England and abroad.
The series provides an outlet for artists to exhibit
their works and to see, meet and discuss works by other
artists within the "community".
We
hope to continue to collaborate with a variety of film/video
artists and film organizations in bringing diverse and
exciting programming to Boston and to introduce Boston's
experimental film/video artists to the rest of
the world.
What
is BALAGAN
Balagan
was a type of travelling theatre troop common during
the 18th to early 20th centuries in Russia.
Balagan as a theatre genre, combined
elements of commedia dell'arte and French street performance.
Cities and villages would eagerly anticipate the coming
of the Balagan
wagons as they traveled from one city plaza to the next
bringing laughter, joy, drama and a chance for people
to forget about the ordinary doldrums of day to day
life.
Curated
by local filmmakers Alla Kovgan and Jeff Silva, Balagan
aims to rekindle the spirit and essence of the traditional
Balagany experience. The Balagan
Experimental Film series promises to
surprise you with a different experience every time.
Come and see for yourself.
Who
We Are
Jeff
Silva
is a filmmaker and visual artist from Boston. Jeff produces
works ranging from experimental films, documentaries,
live visual performances, and multi-channel installations.
His projects challenge cinematic conventions of storytelling,
composition, editing, and sound design; blurring the
boundaries between genres. Jeff teaches Film and Video
production and editing courses at BFVF (Boston Film
and Video Foundation) and CCTV (Cambridge Community
Television), and is a Producer/Director of Educational
Media at MIT's (Massachusetts Institute of Technology)
Center for Advanced Educational Services (CAES). He
is also a founding member of two emerging Boston based
multimedia collectives: MIR (Manipulated Image Research)
and Pixonik Labs. Jeff also curates film, video and
multimedia events locally. He has curated programs for
the Coolidge Corner Theatre (BALAGAN), the BUFF, and
Carberry's summer film series among others. Jeff is
currently editing his next project "Hard Reigns",
a feature length documentary related to the Balkans,
that uses footage and interviews he has accumulated
over the past year and a half on his trips to Kosovo
and Belgrade.
Alla
Kovgan is a Boston-based filmmaker, born in
Moscow (Russia). Her films and films that she co-directed
have been presented worldwide including at the Sundance,
Rotterdam, Toronto, Melbourne, Durban, Oberhausen, Clemont-Ferrand,
MOMA, Louvre, Centre Pompidou, PBS (US), ZDF (Germany)
and numerous others. Alla's most recent film NORA (2008),
her collaboration with the British filmmaker David Hinton,
is an art film – a poetic biography of the Zimbabwean
choreographer Nora Chipaumire. NORA has been an official
selection of over 80 festivals, received 23 awards and
will be broadcast on PBS in 2010. The two latest documentaries,
which Alla co-directed and edited, an Emmy-nominated
"Traces of the Trade" (2007) and “My
perestroika” (2009) premiered at Sundance and
on P.O.V. (PBS). Since 1999, Alla has been involved
into interdisciplinary collaborations – creating
intermedia performances (with KINODANCE Company), dance
films and documentaries about dance such as “Movement
(R)evolution Africa” (with Joan Frosch). Alla's
projects have been supported by Open Society Institute,
LEF Foundation, Trust for Mutual Understanding, Bank
of America Celebrity Series, among others. Since 2000,
she has taught and curated dance film and avant-garde
cinema worldwide as the Programmer of St. Petersburg
Dance Film Festival KINODANCE (Russia) and as a co-Curator
of Balagan Film Series (Boston). In 2009, Alla was awarded
a Massachusetts Cultural Council Fellowship and a Brother
Thomas Fellowship for artists working at a high level
of excellence and creativity.(http://www.movementrevolutionafrica.com/nora/
; http://www.kinodance.org,
http://www.tracesofthetrade.org,
http://www.kinodance.com/russia/)
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