November 10, Thursday, 9:30PM, 2005
Boston Jewish Film Festival at Balagan
@ Moviehouse II with reception to follow
(sponsored by Stella Artois)

For the second time, Balagan partners with Boston Jewish Film Festival and presents a collection of shorts.
Films in this program possess the nature of filmic myths. They do not represent a reality, they catch fleeting moments of it. These films also remind me of personal diaries. They are composed of sketches and notes one would make sitting in a café or going through family albums or silent home movies. By using different techniques and elements, the filmmakers skillfully organize these “notes” into visual evocative essays that collectively capture the melancholic spirit of our times and offer its audiences a space to ponder and reflect.

 

God On Our Side 7min, 35mm (Netherlands) Massachusetts Premiere
Director: Uri Kranot & Michal Pfeffer

Picasso’s Guernica is the inspiration for this silent meditation on the Israeli-Palestinian conflict.

Homing 9min, video, 2005 (Israel/USA) Massachusetts Premiere
Director: Jonah Bleicher

His bus is late. While he waits, step inside the head of a suicide bomber.

Flashbacks from My Past: “Starry Night” 4min, video, 2003 (USA) Massachusetts Premiere
Director: Irra Verbitsky

An oil paint animation brings memories of being a child in Kiev to life.

Another City 11min, video, 2003 (Italy)
Director: Carl Ippolito

With music by Arnold Schonberg, this film explores the present by recalling the German cultural, social, and political climate of the 1930s.

The Future is Behind You 20min, video, 2004 (USA)
Director: Abigail Child (in person)

A fictional story of two sisters composed from the film archive of an anonymous 1930s European family.

Esther’s Book 15min, 35mm, 2004 (Sweden) US premiere
Director: Esaias Baitel

For fifteen years Swedish artist Esaias Baitel photographed Purim holiday festivities in Jerusalem.

Phantom Limb 28min, video, 2005 (USA) Boston Premiere
Director: Jay Rosenblatt

The childhood death of filmmaker Jay Rosenblatt’s younger brother and his family’s inability to cope led to a lifetime of suppressed guilt and pain. It is the centerpiece for this film collage about death, grief, loss, and silence.