In 1987 Daniel and his trusty Bolex camera began hanging out in hobo jungles and riding freights across the West, looking for clues to the identity of a strange boxcar graffito. While gathering interviews and discovering clues to the identities of many of the most legendary boxcar artists, Daniel discovered a vast underground folkloric practice that has existed with little notice for over a century. Today these drawings live on as a new breed of hobos have taken to the rails and kept the tradition of "moniker chalking" alive. This artform provides unlikely common ground between mostly conservative railworkers and old school tramps and the kids whose approach includes spray cans and punk lifestyles. Since completing the film in June last year, Bill Daniel and his film " Who is Bozo Texino ?" have been on the road, wowing audiences of punks, geezers, folkies, foamers and graffiti toughs all over the nasty ol' usa. The film has screened at festivals across Europe including Rotterdam, Vienna, and Slovenia.
In researching hobo culture Daniel found the written histories fraught with myth, and was initially frustrated by the apparent lack of verifiable truth to much of the lore.
"At some point in the research, and in the filming, I had to give up on the idea of being able to tell every story down to the detail. One of my initial impulses was to create a highly resolved document that would allow people in the future to see exactly what this culture was like. Impossible enough. But at the same time I was painfully aware that to broadcast these discoveries would alter or wreck the innocence and freedom that was there. Gradually, I realized that to report on freight train culture I should just acknowledge this mythologizing that permeates the culture and adopt that as an essential part of my approach. But the difficulty was, at the same time, to present this purely documentary material that I earnestly want to be appreciated and preserved. And no matter what the disappointment might be in finding the lonely reality behind a particular myth or graffiti, there is a mystery, or truth, that will always evade the documentarian and the audience." - Bill Daniel
FIlmmaker Bio:
Texas-born, San Francisco exile, and confirmed tramp, Bill Daniel continues to experiment with survivalism and bricolage in his attempts to record and report on the various social margins he often finds himself in. Working without an art or film school education, he endeavors to make work that connects with an outsider audience. His work began in 1980 as he participated in and photo documented the blossoming punk rock scene in Austin, Texas. Since then his subcultural documentary subjects have included bicycle messengers, radical environmentalists, hobo graffiti artists, swap meet guitar players, rural drag racers, and "water squatters"--outlaw anchored live-aboards. His study and love for documentary photography and filmmaking has given Daniel the charge to create work that communicates across socioeconomic boundaries. Drawing from his backgrounds in studio photography, experimental media and the construction trades, Daniel builds site-specific viewing environments as a method for deploying non-linear documentary material within an allegorical, interactive setting.
Daniel's work has received awards from the Film Arts Foundation, The Pioneer Fund, Texas Filmmaker Production Fund, the R & B Feder Charitable Foundation, and The Western States Media Alliance. He is the current Wattis Foundation artist-in-residence at the Yerba Buena Center for the Arts, where his installation "Souls Harbor" was exhibited in Dec. In 1999 he was in-residence at The Headlands Center for the Arts where he produced several multi-projection 16mm film installations, including "Trespassing Sign" in collaboration with the late Margaret Kilgallen. In 2001 his hobo campfire installation "The Girl on the Train in the Moon" was included in "Widely Unknown" at Deitch Projects in New York. A veteran of the touring scene, Daniel has programmed, booked and exhibited several mobile art shows, including the Lucky Bum Film Tour with partner Vanessa Renwick. In 1997-98 he curated a weekly screening series, Funhouse Cinema, in Austin, that also regularly screened in Houston and San Antonio. Daniel is also recognized for his work as cinematographer and editor for filmmaker Craig Baldwin. Other endeavors include publishing two zines--The Western Roundup, a punk fanzine in 1981-82, and Detour, a situationist journal in 1986. He is also the creator of an experimental sports league, The Texas Gas-Powered Leaf Blower Hockey Association.
