October 14 , Thursday, 7:30PM, 2004
Filmmakers from the West Coast:
Matt McCormick (in person)

Balagan welcomes Matt McCormick (http://www.rodeofilmco.com), a Portland Oregon filmmaker who has made several award winning short films. He is also the founder of Peripheral Produce, an internationally recognized video distribution label specializing in short experimental work, and the director of the Portland Documentary and eXperimental Film Festival, Portland’s premiere venue for experimental, documentary, and otherwise obscure contemporary cinema. Matt has had three films screen at the Sundance Film Festival, and has received awards including Best Short Film from the 45th San Francisco International Film Fest,Best Short Film from the 2002 Ann Arbor Film Festival and others. He has screened at such venues as the Seattle Art Museum and the Lincoln Center, and his film ‘The Subconscious Art of Graffiti Removal’ was named as one of the ‘Top 10 Films of the 2002’ by both The Village Voice and Art Forum magazine.

“In the last few years, Matt McCormick has emerged as one of our strongest independent filmmakers, doing work that’s both ingenuous and humorously absurd...” - Fred Camper, Chicago Reader

“Portland filmmaker Matt McCormick’s experimental-doc The Subconscious Art of Graffiti Removal is one of the finest short films of any kind I’ve seen in a long time...”
Ed Halter -The New York Press

“Matt McCormick’s The Subconscious Art of Graffiti Removal, a send-up of art criticism and urban planning, is a seemingly off-handed but exceptionally intelligent foray into American vernacular art.” - Amy Taubin -the Village Voice

American Nutria 11 minutes - video - 2003
A short documentary about Nutria; a large, odd looking rodent from Argentina, that 60 years after their introduction to North America, appear to be on track to eating the entire continent. Narrated by Calvin Johnson, original music by The Postal Service.

The Subconscious Art of Graffiti Removal 16 minutes 16mm -or- video 2001
a short documentary that explores why it is no coincidence that funding for “anti-graffiti” campaigns often outweigh funding for the arts.

Towlines (*work in progress sneak preview) 22 minutes - 16mm on video - 2004
An experimental documentary about tugboats, Towlines combines historical information with creative production to plead the case that the tugboat is a heroic yet tragic figure deserving of careful recognition. Original music by James Mercer of The Shins.

Grounded 5 minutes - 16mm on video - 2004
a cinematically engaging portrait of industry and urban wildlife, set to an abstract score.

Going to the Ocean 8 minutes - 16mm - 2001
an abstract meditation on texture and light using night vision video and found kodachrome- improvised soundtrack: trains/static/melodeon.

The Vyrotonin Decision 7 minutes - 16mm - 1999
a postmodern disaster epic featuring appropriated segments of 36 television commercials from 1971.

Sincerely, Joe P. Bear 4 minutes - 16mm - 1999
appropriated news clips from the 1960’s combine with hand-painted film to tackle the momentous issue of how polar bears cope with heartbreak and rejection.

Past and Pending 5 minutes - music video - 2003
A music video for The Shins, from their album ‘Oh, Inverted World.’